Warm Bulb, Clue Perfumery (2023)
“Flesh and Blood,” Roxy Music, on Flesh and Blood (1980)
Tom Wilson (photographer), in Michael Kimmelman, “The Strange Beauty of of New York’s Bodega Ramps,” The New York Times, August 13, 2025.
Freddie Mason, The Viscous: Slime, Stickiness, Fondling, Mixtures (Punctum Books, 2020).
Wikipedia page for “Freeze-dried ice cream.”
Prada linen and PVC jacket, Spring/Summer 1998.
Jennifer M. Barker, “A Surrealist Turn: Transformative Gestures in The Birds,” in Sternagel/Levitt/Mersch (eds.), Acting in Moving-Image Culture: Bodies, Screens, and Renderings (Transcript Books, 2012).
Dancers at Mary Wigman School, 1959.
Greg Elmer and Stephen J. Neville, “Bunker media: stories from the abundant and redundant underground,” in Culture, Theory and Critique vol. 64, no. 1-2 (2023-04-03): 120-139.
Yohji Yamamoto in Notebook on Cities and Clothes (1989, dir. Wim Wenders).
“Workman operating a guncotton press behind a protective rope screen, 1909,” in Wikipedia page for “Cellulose".
Julia Child’s recipe for madeleines, in Mastering the Art of French Cooking (Knopf, 1961).
Image from Josh, “Can silk be made of gelatine?”
The Red Shoes (1948, dir. Michael Powell and Emeric Pressburger).
Excerpt from the extensive Wikipedia page for “Fiestaware”.
Miranda July’s kitchen, by Nico B. Young (2024).
Björk receiving the insignia of the French Order of Merit in a pair of taped heels, August 2001.
Anne Boyer, Garments Against Women (2016).
Sampler of Georgia O’Keeffe’s white blouses, via the Georgia O’Keeffe Museum’s online collection.